|Posted by Nancy Elliott on September 4, 2018 at 11:40 AM|
September 4, 2018
It is not easy to create an album. But then, it is.
Songwriting, essay writing, writing poetry and writing my Spiritual Legacy is something I must do. I must to write to sort out my world. I have to be honest on the page, true to my self, or you the listener, the reader, will see right through the whole mess.
Some times the hard part is going back over what I wrote because I am not sure I want to let you in "there", but I know I have to. Most of the time, the hard part is putting pen to paper, and through that first writing, the editing and the writing again, that chiseling out process, I learn about me.
I hope through this, my process of writing, that you will learn about you, also. I hope to always leave room for a story to be your story, that I never clutter it up with so much stuff there is not a place for you, a gift for you. That is important because, although I would still have to write songs and stories, I could never stop writing even if you were not there to listen or read, ultimately the gift is for you.
When I first started writing songs I heard music beyond my guitar. I am not a schooled musician, but, I manage to get my point across with the music and have made efforts to grow and improve over the years in order to express my self more clearly and speak to you better. I have always hoped for an opportunity to have the musical compositions and arrangements of my songs be fulfilled as I hear them when I play them. I hear specific instruments, voices in harmony in particular places. Traditional instruments in traditional places in songs is not what I hear when writing or performing.
Some of the instruments on Tall Tree are what you might expect to hear, but not in "that place" in a song. Some of the instruments are ones you may have never heard of, or never thought of being played in this type of music. There are voices singing and speaking which are not what you might expect. I am thrilled and excited to surprise you! I am thrilled and excited to have a producer and engineer who is not a traditional thinker, who is creative and adventurous, who will take a risk with a "let's see what happens".
I created the South~Western Americana because while I can and do play Cowboy Music, I am not a Cowboy and have never claimed to be. While I can and do play Western, I am not a Western performer in the true sense of the word and have never claimed to be. Understanding one does not have to be a particular thing to write about it, neither were a good fit for where I believe my writing falls, which is nowhere in between and fairly far outside of those two genres, yet close enough I sometimes get invited to perform both genres of festival. They bill me as they want me billed. But, other venues want to know, "What kind of music do you play? How do we put you in the program?" Folk music was not quite the answer either. South~Western Americana is a combination of the terms I have heard often enough when audiences and followers attempt to describe what they are hearing. So, there you go.
Yesterday, I spent the day in studio with June Murphy, who is singing back up and harmony vocals for four songs on Tall Tree. I met June while attending a church in Mesa. June is the choir at Barrah Ministries. I invited her to go with me down to the Arizona Folklore Preserve and listen to Jon Messenger. She was very excited to go since she was new to the area and lost as far as where to go for music. It was a drive, but worth it all the way there and back as we learned about each other. When we got to the APF and the concert began, June could not contain herself and was humming harmonies softly under her breath on songs she had never heard before. Jon pinpointed her right away and smiled. When he sang Cohen's "Hallelujah", that was it, June broke out and Jon kissed her cheek, saying she could sing with him any time any where. You will hear June signing on Desert Motel(Tyson/McIntyre), A Horseman's Hands (Elliott/MacDougall), A Breath of Spring (Nancy Elliott) and My First Love (Nancy Elliott). Well, we spent the prior evening together working on the vocals while working on pizza and homemade spaghetti. So, when we got to Mi Casa, we had a good idea of where and what June was going to sing, though not how she would sing it. Ismael took her strong and sometimes unbridled signature voice in hand and the result is masterful. Bravado, an out and out cry, a sweet, sweet invitation, just some of the colors of June Murphy. Painting the songs on your heart.
Categories: Poetry and Song