|Posted by Nancy Elliott on July 1, 2018 at 11:35 AM|
Recording began in December 2017 at Mi Casa Recording in Tucson. Ismael Barajas listened with me to the two disks of demo tracks and looked over the songs I had chosen for my new album. It was my first experience with a truly natural, gentle spirit as is Ismael. I had made good song choices, all of them strong, yet not every one of my choices would stay in the lineup. As we began recording, coloring out the story in each song, building the sound for each instrument, it became apparent a couple of songs were not for this project. They didn't fit in the story line. A new take on "murder your darlings" for certain. But, those songs were not murdered, merely set aside for another project.
When I first spoke with Ted and Ismael, I told them I wanted Hammered Dulcimer on at least three songs. Their response was, "Okay." Actually, it was better than just "okay". Ted is friends with Walt Michael, who was in town for a weekend in December, for Common Ground on the Border, a series of workshops in Tubac for music and the arts. Ted told me we would have to catch Walt as we could, but he was interested in my project and wanted to play on it. We caught up with him after a day of workshops and teaching and he played for Tall Tree, Thirty Some Miles and A Breath of Spring. I was mostly speechless, Walt probably thought I was strange. I was realizing I was beginning to experience my songs coming alive as I heard them when I wrote them. Even after this much time, when I hear those yet unfinished songs, the excitement of the session wells up, and I am anxious for you to experience it, too.
Categories: Poetry and Song